Industrial Facility
 
 

02

05

06

04

07

08

Project
Branca Chair

 

Client
Mattiazzi SpA, Italy

 

Production
2010 —

 

In 1978 the Italian brothers Nevio and Fabbiano Mattiazzi began their obsession with wooden furniture production. For thirty years they produced furniture rather anonymously for some of the great Italian brands and only recently started to collaborate with world designers to expose their expertise to a wider audience. Over the years they have kept their expertise and quality sharp by continually investing in the latest machinery, and by maintaining a craftsman's attitude overall.

 

Unlike many other Italian producers, the Mattiazzi brothers knew to keep all the facets of wood production under one roof.

By default, they have now become a rare company that is able to shape wood as if it were plastic while embracing ever-increasing challenges as their own form of R&D.

 

After several trips to Mattiazzi's factory, along with close discussions with their craftsmen, Industrial Facility continues to push Mattiazzi further into their exploration of robot-craftsmanship.

 

Branca is the result of a combination of highly complex parts (made possible with robotic machinery, most notably the eight-axis CNC milling machine which Mattiazzi is expert with), alongside simple traditional shaping and finishing by hand.

 

"The power of the robot, the repetition of the machine and the skills of the craftsmen already have synchronised relationships at Mattiazzi where each process is as carefully selected as the wood blocks that are to be shaped", says Hecht.

It was in conversations with his partner Kim Colin, the focus was turned to nature, where complexity thrives with reason. Beauty is simply a result of constant growth. In particular, the branches of a tree were to provide the critical analogy for the project.

 

Like wooden branches on a tree, Branca is a chair that is familiar to the eye. We accept that branches support the joints of twigs and leaves at different points that may seem random but are all intentional.

 

With Branca, its back leg supports the critical joints of the armrest, the seat and the back, and is made from a single piece of wood produced robotically. The joints are seen as but a part of the seamless nature of the chair and its simple outline belies the complexity of production.

With no question, Branca had to hold all of the functional attributes we expect a chair to have in a modern condition - to be comfortable; to have armrests; to fit under a table; to be light enough to carry; and to stack for easy shipping. Branca is inspired by wooden branches that turn, twist, meet and branch off.


Awards

Furniture Design of the Year, Design Museum, London, 2011
Habitare Award, Helsinki, 2011

 

Permanent Collections

San Francisco Museum of Modern Art

V&A Museum, London

Finlandia Design Museum, Helsinki

Design Museum London

Exhibitions
New Simplicity, London, 2010
Power of Making, V&A Museum, London, 2011
Beijing International Design Triennial, 2011
Turn, Twist and Branch Off, Aram Store, London, 2011

 

Films

Branca, something of how they are made

 

Downloads

Branca Catalogue 
Monitor Magazine

 

Further Reading

Domus Magazine
Details Magazine
The story of Mattiazzi

 
 
 

02

03

07

04

05

06

08

Project

Branca Stool

 

Client
Mattiazzi, Italy

 

Production
2014 —

 

In 2009 Mattiazzi – a leading Italian producer of wooden furniture – released the influential Branca Chair – the all-wood, stacking armchair produced with the best of robotic manufacturing with hand-finishing. It went on to win the Design of the Year for Furniture in 2011 and is now included in the Permanent Collections of the Design Museum and the Victoria and Albert Museum, London; the Finlandia Design Museum, Helsinki; and the Museum of Modern Art, San Francisco.

To allow free movement at stool height, the seat is soft and open from 270 degrees. The backrest is small and reassuring, providing a backstop and a place to hang a jacket. The metal curved footrest replicates the outline of the seat.

 

The Branca Stool was first previewed by Mattiazzi at the Salone del Mobile 2014 and is now available after passing stringent quality controls and BIFMA standards. Stools are available in natural and coloured Ash (Anilin Black, Anilin White, Anilin Branca Green and Natural Ash) with a powder-coated footrest and a seat height of 760mm.

 

The Branca Stool continues the trajectory of tree branches seamlessly bending and meeting; it is also inviting and comfortable, yet skeletal in its formation.

Exhibitions
Salone del Mobile, 2014
Retail Facility Pop-Up, London Design Festival, 2014

 

Films

Branca, something of how they are made

 

Downloads

Branca Catalogue

 

Further Reading

Domus Magazine
The story of Mattiazzi

 

International Sales

 
 
 

04

02

08

09

03

01

06

Project
Radice Stool

 

Client
Mattiazzi, Italy

 

Production
2013 —

 

Radice is a three-legged wooden stool, the result of Industrial Facility’s second collaboration with Italian furniture producer Mattiazzi.

 

Unlike many other Italian producers, Mattiazzi keeps all the facets of wood production under one roof. By default, they have become a rare company that is able to shape wood as if it were plastic, while embracing ever-increasing challenges through their own R&D. Industrial Facility have continued to push Mattiazzi further into the exploration of robot-craftsmanship – following on from their first collaboration with the Branca Chair.

Radice finds its underlying beauty and simplicity in its structure. It is the bringing together of the front-half of a traditional 4-legged stool with a single back leg – the root. It is a visual improvisation, where two things come together unexpectedly.

 

“Radice has some tension in its form and it is a slight surprise that the third leg works as well as it does to resolve the overall structure. It is in some ways structurally diagrammatic, yet is made comfortable visually and physically because of how this third leg supports the seat,” says Sam Hecht.

 

The backrest is small and reassuring, allowing a coat or handbag to rest on it; and the seat is open for large and small people. It is light both visually and in weight and uses no screws or metal fittings, yet also passes stringent BIFMA standards ensuring it is structurally sound, stable and reliable. The wood stain options for Radice are based on the cycle of an autumn leaf turning colour.

 

Radice is available in 650mm (stool height) and 450mm (chair height).

Finishes: Ash - Available in Natural, Black, Branca Green, Red, and Yellow mustard; Natural Oak

Optional seat cushions: Leather and Kvadrat Steelcut Trio

 

Films

RETAIL FACILITY Radice

Downloads

Mattiazzi Catalogue


Further Reading

Mattiazzi

International Sales

Mattiazzi
Aram Store UK 

 
 
 

02

03

05

06

Project

Branca Table

 

Client

Mattiazzi, Italy

 

Production

2010 -

 

The furniture range designed for Mattiazzi includes, apart from the Branca chair, a corresponding table, complementing the overall statement intended by Industrial Facility. In both pieces the design process was strongly influenced by the merging of elaborate craftsmanship with robotics. The Branca table employs a similar language as its accompanying chair, it evolves from the intention to provide a soft and inviting surface, supported by four natural ash legs. To overcome the solidity of the legs a chamfer is cut, starting 2/3 of the way down. Available in 2 sizes, the Branca chairs can slip comfortably underneath the table or rest on top of it if necessary, for floor cleaning. In 2012 a solid ash top was also introduced to the collection.

Awards

Furniture Design of the Year, Design Museum, London, 2011

 

Permanent Collections

Design Museum London, London

Finlandia Design Museum, Helsinki

Victoria & Albert Museum, London

 

Exhibitions

Turn, Twist and Branch Off, Aram Store, London, 2011

 

Films

Branca, something of how they are made

 

Downloads

Branca Catalogue

Monitor Magazine 

 

Further Reading

Domus Magazine

The Story of Mattiazzi

 

International Sales

UK: Made In Design

US: Herman Miller